Joint Coordination and Muscle Activities of Ballet Dancers During Tiptoe Standing

in Motor Control
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  • 1 Japan Society for the Promotion of Science
  • 2 Kyoto University
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We aimed to investigate joint coordination of lower limbs in dancers during tiptoe standing and the relationship between joint coordination and muscle coactivation. Seven female ballet dancers performed tiptoe standing with six leg positions (fi e classical dance positions and one modern dance position) for 10 s. The kinematic data of the metatarsophalangeal (MP), ankle, knee, and hip joints was collected, and surface electromyography (EMG) of over 13 lower limb muscles was conducted. Principal component analysis was performed to determine joint coordination. MP–ankle and ankle–knee had in-phase coordination, whereas knee–hip showed anti-phase coordination in the sagittal plane. In addition, most EMG–EMG coherence around the MP and ankle joints was significant up to 50 Hz when these two joints swayed with in-phase. This suggests that different joint coordination patterns are associated with neural processing related to different muscle coactivation patterns. In conclusion, ballet dancers showed in-phase coordination from the MP to knee joints, which was associated with muscle coactivation to a higher frequency domain (up to 50 Hz) in comparison with anti-phase coordination.

Tanabe and Fujii are research fellows of the Japan Society for the Promotion of Science, Japan. Kouzaki is with the Laboratory of Neurophysiology, Graduate School of Human and Environmental Studies, Kyoto University, Japan.

Address author correspondence to Motoki Kouzaki at
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