This article offers a methodological account of my study of rugby union in New Zealand and an autobiographical description of the production of my researcher self. I argue that reflexivity in writing research requires both a scrutinizing of the act of producing the research problem and a “confessional” that reveals how the researcher enters the field, her biases, and her self as a product of knowledge and social life produced by others. In this article, the latter includes my position as a foreign woman researching the male sport of rugby and my reflections on the impact of gender on the research process despite my initial reluctance to include a gender perspective in the study. The former focuses on how I produced an historical and sociological account that questioned the local taken-for-granted explanations for the success of the national New Zealand All Black team and the position of rugby as the national game.